[Script Info]
Title: English (US)
ScaledBorderAndShadow: yes
Original Script: asmikace  [http://www.crunchyroll.com/user/asmikace]
Original Translation: 
Original Editing: 
Original Timing: 
Synch Point: 
Script Updated By: 
Update Details: 
ScriptType: v4.00+
Collisions: Normal
PlayResX: 640
PlayResY: 360
Timer: 0.0000
WrapStyle: 0

[V4+ Styles]
Format: Name,Fontname,Fontsize,PrimaryColour,SecondaryColour,OutlineColour,BackColour,Bold,Italic,Underline,Strikeout,ScaleX,ScaleY,Spacing,Angle,BorderStyle,Outline,Shadow,Alignment,MarginL,MarginR,MarginV,Encoding
Style: Default,Arial,20,&H00FFFFFF,&H0000FFFF,&H00000000,&H7F404040,-1,0,0,0,100,100,0,0,1,2,1,2,0020,0020,0022,0
Style: Tiny Text Right,Verdana,24,&H00FAFAFA,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,4,0,6,0010,0010,0010,1
Style: Tiny Text Top,Verdana,24,&H0070E9FF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,4,0,8,0010,0010,0010,1
Style: Caption,Arial,20,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,2,8,0000,0000,0010,1
Style: OS,Arial,18,&H00FFFFFF,&H0000FFFF,&H00000000,&H7F404040,-1,0,0,0,100,100,0,0,1,2,1,8,0001,0001,0015,0
Style: On Top,Arial,20,&H00FFFFFF,&H0000FFFF,&H00000000,&H7F404040,-1,0,0,0,100,100,0,0,1,2,1,8,0020,0020,0022,0
Style: Italics,Arial,20,&H00FFFFFF,&H0000FFFF,&H00000000,&H7F404040,-1,-1,0,0,100,100,0,0,1,2,1,2,0020,0020,0022,0
Style: DefaultLow,Arial,20,&H00FFFFFF,&H0000FFFF,&H00000000,&H7F404040,-1,0,0,0,100,100,0,0,1,2,1,2,0020,0020,0010,0
Style: B1,Arial,32,&H00FFFFFF,&H0000FFFF,&H00000000,&H7F404040,-1,0,0,0,100,100,0,0,1,2,1,2,0070,0070,0030,0

[Events]
Format: Layer,Start,End,Style,Name,MarginL,MarginR,MarginV,Effect,Text
Dialogue: 0,0:00:02.98,0:00:04.98,OS,Caption,0000,0000,0000,,Spare Classroom A \NIn Use
Dialogue: 0,0:00:04.00,0:00:04.98,Default,Tomozaki,0000,0000,0000,,O-Okay!
Dialogue: 0,0:00:05.75,0:00:08.87,Default,Tomozaki,0000,0000,0000,,Let's do a read-through of our script!
Dialogue: 0,0:00:08.87,0:00:11.11,Default,Tomozaki,0000,0000,0000,,Does anyone have any questions?
Dialogue: 0,0:00:13.52,0:00:18.12,Italics,Tomozaki,0000,0000,0000,,Whoa, what's with this mood?
Dialogue: 0,0:00:18.41,0:00:21.62,Default,Aoi,0000,0000,0000,,Oh! I have a question for Fuka:
Dialogue: 0,0:00:22.21,0:00:27.54,Default,Aoi,0000,0000,0000,,Alucia's emotions here—is she \Nmore desperate? Or resolved?
Dialogue: 0,0:00:27.54,0:00:30.82,Default,Fuka,0000,0000,0000,,Um, it's more the latter.
Dialogue: 0,0:00:30.82,0:00:31.74,Default,Aoi,0000,0000,0000,,Got it!
Dialogue: 0,0:00:31.74,0:00:34.55,Italics,Tomozaki,0000,0000,0000,,Wow, Hinami, nice assist!
Dialogue: 0,0:00:34.97,0:00:36.22,Default,Aoi,0000,0000,0000,,So...
Dialogue: 0,0:00:36.73,0:00:37.76,Default,Aoi,0000,0000,0000,,Like this?
Dialogue: 0,0:00:39.30,0:00:42.86,Default,Aoi,0000,0000,0000,,If I don't do something, you'll be killed.
Dialogue: 0,0:00:44.09,0:00:46.52,Default,Aoi,0000,0000,0000,,So please... let me do this.
Dialogue: 0,0:00:48.02,0:00:49.11,Default,Aoi,0000,0000,0000,,How's that?
Dialogue: 0,0:00:49.83,0:00:52.11,Default,Fuka,0000,0000,0000,,P-Perfect...
Dialogue: 0,0:00:53.19,0:00:54.61,Default,Takei,0000,0000,0000,,Cool!
Dialogue: 0,0:00:54.98,0:00:59.37,Italics,Tomozaki,0000,0000,0000,,I mean, she {\i0}is{\i1} already acting \Nall the time, anyway.
Dialogue: 0,0:00:59.37,0:01:04.63,Default,Aoi,0000,0000,0000,,I hate to do this, but I have a \Nstudent council thing after this.
Dialogue: 0,0:01:04.63,0:01:06.71,Default,Aoi,0000,0000,0000,,Is it okay if I slip out?
Dialogue: 0,0:01:07.02,0:01:11.73,Italics,Tomozaki,0000,0000,0000,,A-ha! To create a pretext for \Nspending less time in rehearsal,
Dialogue: 0,0:01:11.73,0:01:14.92,Italics,Tomozaki,0000,0000,0000,,she starts out with a bang that'll \Nmake her more persuasive.
Dialogue: 0,0:01:15.53,0:01:18.09,Default,Tomozaki,0000,0000,0000,,From what we just saw, \Nyeah, you should be fine.
Dialogue: 0,0:01:18.47,0:01:21.15,Default,Fuka,0000,0000,0000,,Sure—no problem.
Dialogue: 0,0:02:52.02,0:02:56.28,OS,Title,0000,0000,0000,,2nd Stage: Lv. 11 \NEven fairies feel lonely when they're \Naway from their spring by themselves
Dialogue: 0,0:02:52.75,0:02:56.28,On Top,Hanabi,0000,0000,0000,,Wh-Who are you? What are you doing here?
Dialogue: 0,0:02:56.57,0:02:59.30,Default,Mizusawa,0000,0000,0000,,I'm Libra, the locksmith's son.
Dialogue: 0,0:02:59.82,0:03:01.07,Default,Mizusawa,0000,0000,0000,,And this is...
Dialogue: 0,0:03:01.39,0:03:03.24,Default,Erika,0000,0000,0000,,Freeze, all three of you.
Dialogue: 0,0:03:03.50,0:03:05.45,Default,Nakamura,0000,0000,0000,,Seize that man!
Dialogue: 0,0:03:05.76,0:03:07.45,Default,Tachibana,0000,0000,0000,,His Highness's orders!
Dialogue: 0,0:03:07.45,0:03:08.73,Default,Hashiguchi,0000,0000,0000,,Resistance is useless!
Dialogue: 0,0:03:08.73,0:03:10.21,Default,Matsumoto,0000,0000,0000,,Come quietly, now!
Dialogue: 0,0:03:10.21,0:03:14.21,Default,Yuzu,0000,0000,0000,,Having escaped execution thanks to \NAlucia's quick thinking, Libra...
Dialogue: 0,0:03:14.21,0:03:16.13,Default,Kashiwazaki,0000,0000,0000,,Hah! Ow ow ow...
Dialogue: 0,0:03:16.13,0:03:19.13,Default,Takei,0000,0000,0000,,You can't just {\i1}take{\i0} things—that \Nmakes you a thief!
Dialogue: 0,0:03:19.39,0:03:21.38,Default,Seno,0000,0000,0000,,Calm down, Father.
Dialogue: 0,0:03:23.66,0:03:25.01,Default,Tachibana,0000,0000,0000,,Nice work!
Dialogue: 0,0:03:25.01,0:03:26.39,Default,Tomozaki,0000,0000,0000,,Yeah, good job.
Dialogue: 0,0:03:27.12,0:03:29.55,Default,Tomozaki,0000,0000,0000,,Our first day went off without a hitch.
Dialogue: 0,0:03:29.55,0:03:31.85,Default,Fuka,0000,0000,0000,,I was nervous, but I had fun.
Dialogue: 0,0:03:32.16,0:03:34.36,Default,Tomozaki,0000,0000,0000,,Yeah? Well, that's good.
Dialogue: 0,0:03:34.63,0:03:38.61,Default,Fuka,0000,0000,0000,,Thank you so much for all your support.
Dialogue: 0,0:03:38.86,0:03:43.45,Default,Tomozaki,0000,0000,0000,,Not at all! I'm doing this because I want to.
Dialogue: 0,0:03:43.72,0:03:47.18,Default,Fuka,0000,0000,0000,,But... you're so busy.
Dialogue: 0,0:03:47.18,0:03:49.45,Default,Fuka,0000,0000,0000,,You've got that thing with Nanami...
Dialogue: 0,0:03:50.19,0:03:51.46,Default,Tomozaki,0000,0000,0000,,The comedy skit?
Dialogue: 0,0:03:51.76,0:03:56.68,Default,Fuka,0000,0000,0000,,Right. That's something else you have to do.
Dialogue: 0,0:03:57.23,0:04:00.46,Default,Fuka,0000,0000,0000,,So, um... that's what you \Nshould do tomorrow.
Dialogue: 0,0:04:00.75,0:04:03.43,Default,Tomozaki,0000,0000,0000,,Huh? But what about our rehearsal here?
Dialogue: 0,0:04:03.74,0:04:07.18,Default,Fuka,0000,0000,0000,,I'll... I'll do my best.
Dialogue: 0,0:04:09.27,0:04:15.64,Default,Fuka,0000,0000,0000,,I've been thinking... You've \Nchanged, Hanabi's changed...
Dialogue: 0,0:04:15.64,0:04:19.07,Default,Fuka,0000,0000,0000,,and I'm the only one getting left behind.
Dialogue: 0,0:04:19.07,0:04:22.95,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly
Dialogue: 0,0:04:19.52,0:04:22.95,Default,Fuka,0000,0000,0000,,So... it's about time I change, too.
Dialogue: 0,0:04:23.68,0:04:25.08,Default,Tomozaki,0000,0000,0000,,Oh, okay.
Dialogue: 0,0:04:25.45,0:04:30.81,Default,Fuka,0000,0000,0000,,Don't you think this could \Nspark real change for me?
Dialogue: 0,0:04:31.23,0:04:34.46,Default,Fuka,0000,0000,0000,,That would be the ideal, anyway.
Dialogue: 0,0:04:34.67,0:04:36.71,Default,Tomozaki,0000,0000,0000,,Yeah. I understand.
Dialogue: 0,0:04:37.20,0:04:39.06,Default,Fuka,0000,0000,0000,,I'm going to go for it.
Dialogue: 0,0:04:39.71,0:04:41.71,OS,Caption,0000,0000,0000,,Tomozaki
Dialogue: 0,0:04:48.40,0:04:51.43,Default,Fuka,0000,0000,0000,,That would be the ideal, anyway.
Dialogue: 0,0:04:52.12,0:04:53.43,Italics,Tomozaki,0000,0000,0000,,What is it...?
Dialogue: 0,0:04:53.73,0:04:56.60,Italics,Tomozaki,0000,0000,0000,,Something about that \Nword—"ideal"—doesn't sit right...
Dialogue: 0,0:04:59.69,0:05:01.57,OS,Caption,0000,0000,0000,,Spare Classroom A \NIn Use
Dialogue: 0,0:05:00.13,0:05:04.50,Default,Fuka,0000,0000,0000,,O-Okay, let's start from the first scene.
Dialogue: 0,0:05:06.91,0:05:10.91,OS,Caption,0000,0000,0000,,Top Secret
Dialogue: 0,0:05:07.22,0:05:10.91,Default,Mimimi,0000,0000,0000,,Ta-da! I've actually finished our script!
Dialogue: 0,0:05:10.91,0:05:12.32,Default,Tomozaki,0000,0000,0000,,Wow, really?
Dialogue: 0,0:05:12.32,0:05:15.83,Default,Mimimi,0000,0000,0000,,Now let's give our married-couple \Nroutine a whirl!
Dialogue: 0,0:05:15.83,0:05:17.33,Default,Mimimi,0000,0000,0000,,Clap-clap-clap-clap!
Dialogue: 0,0:05:17.68,0:05:19.07,Default,Mimimi,0000,0000,0000,,Hello there!
Dialogue: 0,0:05:19.07,0:05:22.07,Default,Tomozaki,0000,0000,0000,,Wait wait wait! I can't just \Njump right in like that!
Dialogue: 0,0:05:22.07,0:05:23.36,Default,Mimimi,0000,0000,0000,,Huh? Why not?
Dialogue: 0,0:05:23.36,0:05:25.05,Default,Tomozaki,0000,0000,0000,,I haven't even seen the script!
Dialogue: 0,0:05:25.05,0:05:27.34,Default,Mimimi,0000,0000,0000,,Even though we're friends, Brain?!
Dialogue: 0,0:05:27.74,0:05:29.64,Default,Tomozaki,0000,0000,0000,,Even though we're friends.
Dialogue: 0,0:05:29.64,0:05:32.10,Default,Mimimi,0000,0000,0000,,See? That's what I call great flow!
Dialogue: 0,0:05:32.10,0:05:33.35,Default,Tomozaki,0000,0000,0000,,Huh?
Dialogue: 0,0:05:33.35,0:05:35.25,Default,Mimimi,0000,0000,0000,,What we did just now!
Dialogue: 0,0:05:35.25,0:05:36.80,Default,Mimimi,0000,0000,0000,,We were just having a normal conversation,
Dialogue: 0,0:05:36.80,0:05:38.60,Default,Mimimi,0000,0000,0000,,but it started sounding \Nlike a comedy skit, right?
Dialogue: 0,0:05:38.60,0:05:40.23,Default,Tomozaki,0000,0000,0000,,Ah!
Dialogue: 0,0:05:40.48,0:05:44.52,Default,Mimimi,0000,0000,0000,,Which makes this natural \Nmarried-couple comedy!
Dialogue: 0,0:05:44.52,0:05:47.24,Default,Mimimi,0000,0000,0000,,Let's get rehearsing!
Dialogue: 0,0:05:49.57,0:05:52.49,Italics,Mimimi,0000,0000,0000,,Hey, I know! Why don't we go to the zoo?
Dialogue: 0,0:05:52.81,0:05:56.34,Italics,Tomozaki,0000,0000,0000,,I wouldn't want to be there if \Nthe lion escaped its enclosure.
Dialogue: 0,0:05:56.34,0:05:58.88,Italics,Mimimi,0000,0000,0000,,So I'll bring a tranquilizer gun.
Dialogue: 0,0:05:58.88,0:06:01.82,Italics,Tomozaki,0000,0000,0000,,You {\i0}know{\i1} they'll confiscate it at the gates!
Dialogue: 0,0:06:03.66,0:06:07.88,Default,Mimimi,0000,0000,0000,,Don't you think our usual \Nconversations are funnier?
Dialogue: 0,0:06:08.21,0:06:11.39,Default,Mimimi,0000,0000,0000,,This really feels like \Nwe're reading a script.
Dialogue: 0,0:06:11.68,0:06:12.89,Default,Tomozaki,0000,0000,0000,,Oh...
Dialogue: 0,0:06:13.25,0:06:18.27,Default,Mimimi,0000,0000,0000,,The funniest comedians come across \Nlike they're having an impromptu chat.
Dialogue: 0,0:06:18.54,0:06:21.92,Default,Mimimi,0000,0000,0000,,So even though memorizing \Nthis is part of the process,
Dialogue: 0,0:06:21.92,0:06:25.28,Default,Mimimi,0000,0000,0000,,maybe not {\i1}every{\i0} line should \Nbe carved in stone.
Dialogue: 0,0:06:25.57,0:06:28.15,Default,Tomozaki,0000,0000,0000,,Yeah. But that's kind of terrifying.
Dialogue: 0,0:06:28.15,0:06:29.71,Default,Tomozaki,0000,0000,0000,,I guess...
Dialogue: 0,0:06:29.71,0:06:34.97,Default,Mimimi,0000,0000,0000,,But you and me always have such crazy \Nconversations... couldn't it work?
Dialogue: 0,0:06:34.97,0:06:36.79,Default,Tomozaki,0000,0000,0000,,Now that you mention it... maybe?
Dialogue: 0,0:06:36.79,0:06:40.04,Default,Mimimi,0000,0000,0000,,That's right! We'll conquer the world!
Dialogue: 0,0:06:40.04,0:06:43.04,Default,Tomozaki,0000,0000,0000,,What's this "world" stuff? It's \Njust the culture festival.
Dialogue: 0,0:06:43.04,0:06:45.63,Default,Mimimi,0000,0000,0000,,See? Nice comeback!
Dialogue: 0,0:06:46.05,0:06:47.23,Default,Tomozaki,0000,0000,0000,,Sheesh...
Dialogue: 0,0:06:49.90,0:06:56.46,Italics,Tomozaki,0000,0000,0000,,I have fun with Mimimi—and so, by \Nextension, it's easy to picture us dating.
Dialogue: 0,0:06:57.18,0:07:00.77,Italics,Tomozaki,0000,0000,0000,,But how is that different from being friends?
Dialogue: 0,0:07:02.24,0:07:02.90,Default,Mimimi,0000,0000,0000,,Here.
Dialogue: 0,0:07:04.40,0:07:05.90,Default,Mimimi,0000,0000,0000,,Nice work today.
Dialogue: 0,0:07:07.15,0:07:10.40,Default,Mimimi,0000,0000,0000,,You've had a lot on your \Nmind lately, huh, Brain.
Dialogue: 0,0:07:11.36,0:07:12.69,Default,Tomozaki,0000,0000,0000,,You can tell?
Dialogue: 0,0:07:12.69,0:07:15.78,Default,Mimimi,0000,0000,0000,,Aww, c'mon! Your ol' uncle \Nis always here for advice!
Dialogue: 0,0:07:15.78,0:07:17.70,Default,Tomozaki,0000,0000,0000,,My uncle, huh?
Dialogue: 0,0:07:17.95,0:07:20.79,Default,Mimimi,0000,0000,0000,,It's not healthy to keep stuff to yourself.
Dialogue: 0,0:07:20.79,0:07:23.87,Default,Mimimi,0000,0000,0000,,And if a girl my age is saying \Nit, you {\i1}know{\i0} it's true!
Dialogue: 0,0:07:25.34,0:07:27.84,Default,Tomozaki,0000,0000,0000,,What, so you're not my uncle after all?
Dialogue: 0,0:07:28.22,0:07:29.97,Default,Mimimi,0000,0000,0000,,Don't you worry about that.
Dialogue: 0,0:07:31.50,0:07:33.47,Default,Tomozaki,0000,0000,0000,,Um... thanks.
Dialogue: 0,0:07:33.47,0:07:35.26,Default,Mimimi,0000,0000,0000,,F-F-For what?!
Dialogue: 0,0:07:35.59,0:07:37.64,Default,Tomozaki,0000,0000,0000,,For worrying about me.
Dialogue: 0,0:07:37.64,0:07:40.14,Default,Mimimi,0000,0000,0000,,Oh, well, y-y-you know...
Dialogue: 0,0:07:40.40,0:07:44.30,Default,Tomozaki,0000,0000,0000,,I've actually had a lot of \Nthings to think about lately:
Dialogue: 0,0:07:44.80,0:07:48.65,Default,Tomozaki,0000,0000,0000,,the script for our play, Hinami...
Dialogue: 0,0:07:48.65,0:07:50.11,Default,Mimimi,0000,0000,0000,,Aoi?
Dialogue: 0,0:07:50.11,0:07:52.98,Default,Tomozaki,0000,0000,0000,,She's playing Alucia, right?
Dialogue: 0,0:07:52.98,0:07:55.76,Default,Tomozaki,0000,0000,0000,,We asked her a lot of questions for the part,
Dialogue: 0,0:07:55.76,0:07:58.91,Default,Tomozaki,0000,0000,0000,,like, "Why do you push yourself so hard?"
Dialogue: 0,0:07:59.34,0:08:04.36,Default,Mimimi,0000,0000,0000,,Oh, that. I've been wondering that \Nmyself, ever since the election.
Dialogue: 0,0:08:04.81,0:08:07.07,Default,Mimimi,0000,0000,0000,,And how maybe she and I are the same.
Dialogue: 0,0:08:07.59,0:08:08.80,Default,Tomozaki,0000,0000,0000,,The same?
Dialogue: 0,0:08:09.12,0:08:15.04,Default,Mimimi,0000,0000,0000,,I told you how I need to be in first \Nplace because I'm not special, right?
Dialogue: 0,0:08:15.50,0:08:16.26,Default,Tomozaki,0000,0000,0000,,Yeah.
Dialogue: 0,0:08:17.04,0:08:18.70,Default,Mimimi,0000,0000,0000,,So I'm thinking...
Dialogue: 0,0:08:18.70,0:08:23.67,Default,Mimimi,0000,0000,0000,,maybe Aoi shoots for first place \Nso {\i1}she{\i0} can be special, too.
Dialogue: 0,0:08:23.67,0:08:25.55,Default,Tomozaki,0000,0000,0000,,That could be.
Dialogue: 0,0:08:27.76,0:08:28.65,Default,Tomozaki,0000,0000,0000,,Mimimi?
Dialogue: 0,0:08:29.28,0:08:31.99,Default,Mimimi,0000,0000,0000,,If so, that worries me a little.
Dialogue: 0,0:08:32.31,0:08:33.29,Default,Tomozaki,0000,0000,0000,,How so?
Dialogue: 0,0:08:34.06,0:08:36.24,Default,Mimimi,0000,0000,0000,,Maybe Aoi and I are the same:
Dialogue: 0,0:08:36.96,0:08:38.54,Default,Mimimi,0000,0000,0000,,hollow.
Dialogue: 0,0:08:39.48,0:08:42.17,Default,Tomozaki,0000,0000,0000,,Hinami, hollow?
Dialogue: 0,0:08:42.79,0:08:47.60,Default,Tomozaki,0000,0000,0000,,I mean, I don't know what \Nher core motivation is.
Dialogue: 0,0:08:48.27,0:08:52.35,Default,Mimimi,0000,0000,0000,,To try that hard and still be \Nempty inside... How sad is that?
Dialogue: 0,0:08:52.35,0:08:55.51,Default,Mimimi,0000,0000,0000,,And if it's true... then she might...
Dialogue: 0,0:08:56.12,0:08:56.89,Default,Tomozaki,0000,0000,0000,,Might what?
Dialogue: 0,0:08:58.21,0:09:02.27,Default,Mimimi,0000,0000,0000,,She might not ever come \Nto me for advice. Right?
Dialogue: 0,0:09:02.66,0:09:07.52,Italics,Tomozaki,0000,0000,0000,,It's true. I doubt Hinami would \Nunload on Mimimi about herself.
Dialogue: 0,0:09:07.84,0:09:10.17,Italics,Tomozaki,0000,0000,0000,,And not just Mimimi...
Dialogue: 0,0:09:10.17,0:09:15.28,Italics,Tomozaki,0000,0000,0000,,I can't picture her opening \Nup to anyone at all.
Dialogue: 0,0:09:15.28,0:09:18.49,OS,Caption,0000,0000,0000,,Cast \NLibra: Takehiro Mizusawa \NAlucia: Aoi Hinami \NKris: Hanabi Natsubayashi \NKing: Shuji Nakamura \NKnight: Erika Konno
Dialogue: 0,0:09:16.00,0:09:18.49,Italics,Tomozaki,0000,0000,0000,,How can you even {\i0}be{\i1} that strong,
Dialogue: 0,0:09:18.49,0:09:21.29,OS,Caption,0000,0000,0000,,Aoi Hinami
Dialogue: 0,0:09:19.16,0:09:20.72,Italics,Tomozaki,0000,0000,0000,,Aoi Hinami?
Dialogue: 0,0:09:23.54,0:09:25.29,OS,Caption,0000,0000,0000,,Spare Classroom A \NIn Use
Dialogue: 0,0:09:25.56,0:09:28.94,Italics,Tomozaki,0000,0000,0000,,When I joined rehearsals for \Nthe first time in two days...
Dialogue: 0,0:09:29.42,0:09:33.42,Default,Fuka,0000,0000,0000,,Could you be more dignified \Nthere, please, Nakamura?
Dialogue: 0,0:09:33.69,0:09:34.99,Default,Nakamura,0000,0000,0000,,You mean like this?
Dialogue: 0,0:09:35.51,0:09:38.79,Default,Takei,0000,0000,0000,,Yikes! That's not \Ndignified—that's intimidating!
Dialogue: 0,0:09:38.79,0:09:39.46,Default,Nakamura,0000,0000,0000,,Say what?
Dialogue: 0,0:09:39.46,0:09:42.68,Default,Takei,0000,0000,0000,,C'mon, a king's more like {\i1}this{\i0}!
Dialogue: 0,0:09:42.96,0:09:45.07,Default,Erika,0000,0000,0000,,What's so kingly about that?
Dialogue: 0,0:09:45.07,0:09:47.69,Default,Yuzu,0000,0000,0000,,Right? Not dignified in the slightest.
Dialogue: 0,0:09:47.69,0:09:50.62,On Top,Takei,0000,0000,0000,,Aw! It is too dignified!
Dialogue: 0,0:09:47.69,0:09:50.62,Default,Seno,0000,0000,0000,,How long do I have to keep doing this?
Dialogue: 0,0:09:47.69,0:09:51.69,OS,Caption,0000,0000,0000,,Alucia
Dialogue: 0,0:09:50.62,0:09:51.69,Default,Kashiwazaki,0000,0000,0000,,Want to swap?
Dialogue: 0,0:09:51.69,0:09:54.19,Default,Nakamura,0000,0000,0000,,Cut it out already.
Dialogue: 0,0:09:52.99,0:09:54.19,On Top,Seno,0000,0000,0000,,Oh, thanks.
Dialogue: 0,0:09:54.19,0:09:57.95,Default,Hanabi,0000,0000,0000,,Hey—focus! Help Fuka out here!
Dialogue: 0,0:09:59.95,0:10:02.58,Default,Yuzu,0000,0000,0000,,Oh, sorry! Keep going.
Dialogue: 0,0:10:03.33,0:10:05.33,Default,Fuka,0000,0000,0000,,O-Okay, um...
Dialogue: 0,0:10:06.06,0:10:09.08,Default,Tomozaki,0000,0000,0000,,What's rehearsal been \Nlike these past two days?
Dialogue: 0,0:10:09.08,0:10:14.42,Default,Mizusawa,0000,0000,0000,,Oh, Kikuchi's been trying to \Nreally actively talk to everyone.
Dialogue: 0,0:10:14.69,0:10:15.88,Default,Tomozaki,0000,0000,0000,,To everyone?
Dialogue: 0,0:10:16.12,0:10:19.93,Default,Mizusawa,0000,0000,0000,,Yeah. Like when you were \Nassigning parts earlier.
Dialogue: 0,0:10:19.93,0:10:22.71,Default,Mizusawa,0000,0000,0000,,It feels like she learned from watching you.
Dialogue: 0,0:10:22.71,0:10:24.89,Default,Mizusawa,0000,0000,0000,,Y'know, though, I hate to say this...
Dialogue: 0,0:10:25.53,0:10:27.56,Default,Mizusawa,0000,0000,0000,,She's not really used to that kind of role.
Dialogue: 0,0:10:28.48,0:10:29.39,Default,Tomozaki,0000,0000,0000,,Well... no.
Dialogue: 0,0:10:29.74,0:10:35.34,Default,Mizusawa,0000,0000,0000,,So it's like... our tires are \Nspinning, and we keep losing focus.
Dialogue: 0,0:10:35.88,0:10:38.65,Default,Mizusawa,0000,0000,0000,,And Aoi hasn't been around—she's \Nbusy with student council work.
Dialogue: 0,0:10:44.72,0:10:47.17,Default,Fuka,0000,0000,0000,,Good morning, Tomozaki.
Dialogue: 0,0:10:47.17,0:10:48.61,Default,Tomozaki,0000,0000,0000,,Morning, Kikuchi.
Dialogue: 0,0:10:49.75,0:10:51.72,Default,Tomozaki,0000,0000,0000,,Could it be... finished?
Dialogue: 0,0:10:51.72,0:10:54.88,Default,Fuka,0000,0000,0000,,Yes. I know it took a long time, but...
Dialogue: 0,0:10:54.88,0:10:57.17,Default,Fuka,0000,0000,0000,,I've finished the script.
Dialogue: 0,0:10:57.43,0:10:58.43,Default,Tomozaki,0000,0000,0000,,Ooh!
Dialogue: 0,0:11:03.63,0:11:08.77,Italics,Tomozaki,0000,0000,0000,,The script went in a different \Ndirection than I'd anticipated.
Dialogue: 0,0:11:09.12,0:11:11.96,Italics,Tomozaki,0000,0000,0000,,After Libra and Kris took \Noff on the flying dragon
Dialogue: 0,0:11:11.96,0:11:14.24,Italics,Tomozaki,0000,0000,0000,,and Kris got a taste of how \Nbeautiful the world was,
Dialogue: 0,0:11:14.24,0:11:16.53,Italics,Tomozaki,0000,0000,0000,,she began asking to venture into town.
Dialogue: 0,0:11:17.07,0:11:20.86,Italics,Tomozaki,0000,0000,0000,,Libra accompanied her out of the castle.
Dialogue: 0,0:11:21.61,0:11:23.45,Italics,Tomozaki,0000,0000,0000,,She didn't know how shopping worked,
Dialogue: 0,0:11:23.45,0:11:25.87,Italics,Tomozaki,0000,0000,0000,,and got a real scolding from the greengrocer.
Dialogue: 0,0:11:25.87,0:11:28.87,Italics,Tomozaki,0000,0000,0000,,Thus Kris came to know the real world.
Dialogue: 0,0:11:29.94,0:11:31.92,Italics,Tomozaki,0000,0000,0000,,Eventually, Kris got to thinking:
Dialogue: 0,0:11:31.92,0:11:33.88,Italics,Tomozaki,0000,0000,0000,,this garden she'd been cooped \Nup in for all this time,
Dialogue: 0,0:11:34.40,0:11:38.16,Italics,Tomozaki,0000,0000,0000,,this place she wanted to \Nleave... she did nothing
Dialogue: 0,0:11:38.65,0:11:41.98,Italics,Tomozaki,0000,0000,0000,,in return for clean clothes \Nand delicious food,
Dialogue: 0,0:11:42.72,0:11:45.39,Italics,Tomozaki,0000,0000,0000,,and she could read all the \Nfairy tales she desired.
Dialogue: 0,0:11:45.72,0:11:49.39,Italics,Tomozaki,0000,0000,0000,,It may have been a little too convenient.
Dialogue: 0,0:11:50.69,0:11:54.40,Default,Kris (Fuka),0000,0000,0000,,Say, Libra... am I spoiled?
Dialogue: 0,0:11:54.63,0:11:55.52,Default,Libra (Fuka),0000,0000,0000,,Eh?
Dialogue: 0,0:11:55.74,0:11:59.00,Default,Kris (Fuka),0000,0000,0000,,Being shut away in this garden,
Dialogue: 0,0:11:59.00,0:12:01.65,Default,Kris (Fuka),0000,0000,0000,,never having to work hard to live...
Dialogue: 0,0:12:01.92,0:12:05.47,Default,Kris (Fuka),0000,0000,0000,,The outside world is pretty from a distance,
Dialogue: 0,0:12:05.47,0:12:09.16,Default,Kris (Fuka),0000,0000,0000,,but I'll have to work hard \Nif I want to be part of it.
Dialogue: 0,0:12:09.80,0:12:13.67,Italics,Tomozaki,0000,0000,0000,,In the end, Kris sneaked out \Nof the castle and went missing.
Dialogue: 0,0:12:14.30,0:12:16.42,Italics,Tomozaki,0000,0000,0000,,Libra and Alucia searched \Ndesperately for her.
Dialogue: 0,0:12:16.92,0:12:21.17,Italics,Tomozaki,0000,0000,0000,,But the castle's residents did \Nnothing about the missing girl.
Dialogue: 0,0:12:21.72,0:12:23.93,Italics,Tomozaki,0000,0000,0000,,Kris had finished raising the flying dragon,
Dialogue: 0,0:12:23.93,0:12:27.94,Italics,Tomozaki,0000,0000,0000,,so as far as they were concerned, \Nshe was only baggage.
Dialogue: 0,0:12:29.07,0:12:32.98,Italics,Tomozaki,0000,0000,0000,,Kris took a job at the greengrocer's.
Dialogue: 0,0:12:33.77,0:12:35.79,Italics,Tomozaki,0000,0000,0000,,Despite a string of failures,
Dialogue: 0,0:12:35.79,0:12:38.94,Italics,Tomozaki,0000,0000,0000,,Kris used her own skills to \Nlearn what life required of her,
Dialogue: 0,0:12:38.94,0:12:41.23,Italics,Tomozaki,0000,0000,0000,,and decided to live in the outside world.
Dialogue: 0,0:12:41.82,0:12:46.34,Italics,Tomozaki,0000,0000,0000,,Libra and Alucia celebrated her new venture.
Dialogue: 0,0:12:47.32,0:12:50.14,Italics,Tomozaki,0000,0000,0000,,I sure didn't see {\i0}that{\i1} coming.
Dialogue: 0,0:12:50.14,0:12:50.70,Italics,Tomozaki,0000,0000,0000,,Still...
Dialogue: 0,0:12:53.12,0:12:56.50,Italics,Tomozaki,0000,0000,0000,,It's so similar to what I felt back then...
Dialogue: 0,0:12:57.00,0:12:59.00,OS,Caption,0000,0000,0000,,Bottom-Tier Character Tomozaki S2
Dialogue: 0,0:13:01.75,0:13:03.51,Default,Tomozaki,0000,0000,0000,,I read your script.
Dialogue: 0,0:13:03.51,0:13:05.63,Default,Fuka,0000,0000,0000,,H-How was it?
Dialogue: 0,0:13:05.89,0:13:10.64,Default,Tomozaki,0000,0000,0000,,Um... Why was Kris... like that?
Dialogue: 0,0:13:11.40,0:13:13.52,Default,Fuka,0000,0000,0000,,Like what?
Dialogue: 0,0:13:14.02,0:13:17.99,Default,Tomozaki,0000,0000,0000,,She left the garden and Libra and Alucia...
Dialogue: 0,0:13:17.99,0:13:20.95,Default,Tomozaki,0000,0000,0000,,and decided to live alone \Nin the village, right?
Dialogue: 0,0:13:20.95,0:13:21.90,Default,Fuka,0000,0000,0000,,Yes...
Dialogue: 0,0:13:21.90,0:13:25.53,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly \NFourth Draft
Dialogue: 0,0:13:22.40,0:13:25.53,Default,Tomozaki,0000,0000,0000,,I'm sure you put a lot of thought into this,
Dialogue: 0,0:13:25.53,0:13:30.53,Default,Tomozaki,0000,0000,0000,,but reading that actually \Nmade me kind of sad.
Dialogue: 0,0:13:31.39,0:13:36.54,Default,Tomozaki,0000,0000,0000,,I felt like it was negating everything \Nabout her life in the garden.
Dialogue: 0,0:13:40.19,0:13:46.17,Default,Fuka,0000,0000,0000,,One of my favorite Andi books \Nis {\i1}The Popple on Raptor Isle{\i0}.
Dialogue: 0,0:13:46.17,0:13:48.08,Default,Tomozaki,0000,0000,0000,,The Popples...
Dialogue: 0,0:13:48.08,0:13:50.93,Default,Tomozaki,0000,0000,0000,,Oh, right... You mentioned that before.
Dialogue: 0,0:13:50.93,0:13:53.62,Default,Fuka,0000,0000,0000,,It's an incredibly positive story.
Dialogue: 0,0:13:54.13,0:13:59.68,Default,Fuka,0000,0000,0000,,This Popple, a blind creature, \Nwas living all on its lonesome
Dialogue: 0,0:13:59.68,0:14:02.44,Default,Fuka,0000,0000,0000,,when it left on a journey \Nin search of friends.
Dialogue: 0,0:14:02.44,0:14:07.32,Default,Fuka,0000,0000,0000,,At first, all the other creatures \Nfeared it because it was different.
Dialogue: 0,0:14:07.32,0:14:10.95,Default,Fuka,0000,0000,0000,,But it made friends through \Nthe power of its words.
Dialogue: 0,0:14:10.95,0:14:15.09,Default,Fuka,0000,0000,0000,,And after making all these \Nfriends of other species,
Dialogue: 0,0:14:15.09,0:14:17.96,Default,Fuka,0000,0000,0000,,they all went on a voyage to see the ocean.
Dialogue: 0,0:14:18.76,0:14:24.46,Default,Fuka,0000,0000,0000,,After reading it, I thought this \NPopple was an ideal for the world.
Dialogue: 0,0:14:24.79,0:14:27.47,Default,Tomozaki,0000,0000,0000,,An ideal... for the world?
Dialogue: 0,0:14:27.72,0:14:31.02,Default,Fuka,0000,0000,0000,,It didn't even know what \Nkind of creature it was,
Dialogue: 0,0:14:31.02,0:14:34.68,Default,Fuka,0000,0000,0000,,but it reached out to all these \Nother species and made friends.
Dialogue: 0,0:14:35.28,0:14:39.23,Default,Fuka,0000,0000,0000,,All thanks to the power of \Nlanguage and a little effort.
Dialogue: 0,0:14:40.12,0:14:42.96,Default,Fuka,0000,0000,0000,,That's how it made friends.
Dialogue: 0,0:14:43.51,0:14:46.99,Default,Fuka,0000,0000,0000,,It reminded me of a certain two people.
Dialogue: 0,0:14:47.33,0:14:48.74,Default,Tomozaki,0000,0000,0000,,Two... You mean...
Dialogue: 0,0:14:49.09,0:14:52.49,Default,Fuka,0000,0000,0000,,Yes. You and Hanabi.
Dialogue: 0,0:14:54.84,0:14:59.87,Default,Fuka,0000,0000,0000,,I like this Popple's tale, and think \Nit's a great storytelling ideal...
Dialogue: 0,0:14:59.87,0:15:02.88,Default,Fuka,0000,0000,0000,,an ideal for the world.
Dialogue: 0,0:15:03.51,0:15:07.70,Default,Fuka,0000,0000,0000,,I thought I needed to be \Nmore like that Popple.
Dialogue: 0,0:15:07.70,0:15:10.84,Default,Fuka,0000,0000,0000,,But I just kept giving up.
Dialogue: 0,0:15:10.84,0:15:12.76,Default,Fuka,0000,0000,0000,,Maybe it was impossible.
Dialogue: 0,0:15:13.18,0:15:17.28,Default,Fuka,0000,0000,0000,,But when I saw you and Hanabi, I thought:
Dialogue: 0,0:15:17.28,0:15:21.44,Default,Fuka,0000,0000,0000,,You're both so brilliant, \Nsuch ideal people...
Dialogue: 0,0:15:21.44,0:15:24.65,Default,Fuka,0000,0000,0000,,And maybe, just maybe, I \Ncould be like that, too.
Dialogue: 0,0:15:24.65,0:15:27.65,Default,Tomozaki,0000,0000,0000,,So you're aiming for that ideal yourself?
Dialogue: 0,0:15:27.65,0:15:29.88,Default,Fuka,0000,0000,0000,,Kris is the same way.
Dialogue: 0,0:15:29.88,0:15:34.16,Default,Fuka,0000,0000,0000,,Working hard to change like the \NPopple did, to fit in in the world.
Dialogue: 0,0:15:34.16,0:15:39.41,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly \NFourth Draft
Dialogue: 0,0:15:34.50,0:15:39.41,Default,Fuka,0000,0000,0000,,After all, changing like that {\i1}is{\i0} ideal.
Dialogue: 0,0:15:39.97,0:15:44.51,Default,Fuka,0000,0000,0000,,I was fretting over who'd \Nbe with whom in the end.
Dialogue: 0,0:15:44.51,0:15:49.42,Default,Fuka,0000,0000,0000,,But this story was really \Nabout how Kris lives her life.
Dialogue: 0,0:15:51.26,0:15:51.90,Default,Tomozaki,0000,0000,0000,,Uh-huh.
Dialogue: 0,0:15:52.64,0:15:53.80,Default,Tomozaki,0000,0000,0000,,Got it.
Dialogue: 0,0:15:54.28,0:15:57.23,Default,Tomozaki,0000,0000,0000,,But these new parts of the script...
Dialogue: 0,0:15:57.23,0:15:59.81,Default,Tomozaki,0000,0000,0000,,Can we set them aside for now?
Dialogue: 0,0:16:00.27,0:16:02.44,Default,Fuka,0000,0000,0000,,Set them... aside?
Dialogue: 0,0:16:02.44,0:16:05.91,Default,Tomozaki,0000,0000,0000,,Mull over it for a while, and \Nif it has to be that way,
Dialogue: 0,0:16:05.91,0:16:07.44,Default,Tomozaki,0000,0000,0000,,we'll go ahead with it as is.
Dialogue: 0,0:16:08.10,0:16:10.17,Default,Tomozaki,0000,0000,0000,,I know we don't have a lot of time, but...
Dialogue: 0,0:16:10.63,0:16:13.70,Default,Tomozaki,0000,0000,0000,,It really does feel much too sad.
Dialogue: 0,0:16:13.70,0:16:17.70,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly \NFourth Draft
Dialogue: 0,0:16:14.92,0:16:16.34,Default,Fuka,0000,0000,0000,,Understood.
Dialogue: 0,0:16:17.70,0:16:19.70,OS,Caption,0000,0000,0000,,Spare Classroom A \NIn Use
Dialogue: 0,0:16:19.70,0:16:22.21,Default,Fuka,0000,0000,0000,,Okay. Places, everyone.
Dialogue: 0,0:16:22.48,0:16:23.71,Default,Nakamura,0000,0000,0000,,Where do I go again?
Dialogue: 0,0:16:23.71,0:16:25.95,Default,Takei,0000,0000,0000,,The king's right here!
Dialogue: 0,0:16:25.95,0:16:27.16,Default,Erika,0000,0000,0000,,Isn't that my spot?
Dialogue: 0,0:16:27.16,0:16:28.96,Default,Takei,0000,0000,0000,,{\i1}Is{\i0} it?
Dialogue: 0,0:16:29.25,0:16:30.71,Default,Tachibana,0000,0000,0000,,I'm here, right?
Dialogue: 0,0:16:31.06,0:16:32.59,Default,Fuka,0000,0000,0000,,Um...
Dialogue: 0,0:16:32.59,0:16:37.35,Default,Aoi,0000,0000,0000,,Hey, slow down! Think about Fuka here!
Dialogue: 0,0:16:37.76,0:16:39.20,Default,Aoi,0000,0000,0000,,Shuji, you're here.
Dialogue: 0,0:16:39.20,0:16:41.60,Default,Aoi,0000,0000,0000,,Erika, you're over here, \Nand Tachibana, you're here.
Dialogue: 0,0:16:42.12,0:16:43.56,Default,Aoi,0000,0000,0000,,Right, Fuka?
Dialogue: 0,0:16:44.13,0:16:45.79,Default,Fuka,0000,0000,0000,,Yes, right.
Dialogue: 0,0:16:48.17,0:16:49.74,Default,Matsumoto,0000,0000,0000,,Where am I again?
Dialogue: 0,0:16:49.74,0:16:51.07,Default,Hashiguchi,0000,0000,0000,,Here, I think?
Dialogue: 0,0:16:51.07,0:16:53.09,Default,Fuka,0000,0000,0000,,Matsumoto, you're here,
Dialogue: 0,0:16:53.09,0:16:54.82,Default,Fuka,0000,0000,0000,,and Hashiguchi, you're here.
Dialogue: 0,0:16:55.85,0:16:59.33,Italics,Tomozaki,0000,0000,0000,,Maybe it's because the school's \Nperfect heroine Aoi Hinami is here,
Dialogue: 0,0:16:59.58,0:17:03.08,Italics,Tomozaki,0000,0000,0000,,but Kikuchi seems to be \Nmimicking how she does things.
Dialogue: 0,0:17:05.10,0:17:07.58,Default,Fuka,0000,0000,0000,,O-Okay. Let's begin.
Dialogue: 0,0:17:07.88,0:17:09.21,Default,Mizusawa,0000,0000,0000,,Why is she like that?
Dialogue: 0,0:17:09.98,0:17:12.21,Default,Tomozaki,0000,0000,0000,,Could you {\i1}not{\i0} sneak up on me?!
Dialogue: 0,0:17:13.45,0:17:17.13,Default,Tomozaki,0000,0000,0000,,Kikuchi's been thinking about a lot of stuff.
Dialogue: 0,0:17:17.64,0:17:19.89,Default,Mizusawa,0000,0000,0000,,Hmm. A lot, eh?
Dialogue: 0,0:17:20.24,0:17:22.30,Default,Tomozaki,0000,0000,0000,,Yeah, well...
Dialogue: 0,0:17:23.15,0:17:26.39,Default,Mizusawa,0000,0000,0000,,Tell me. Maybe I can help.
Dialogue: 0,0:17:27.88,0:17:32.40,Default,Tomozaki,0000,0000,0000,,She thinks she has to \Nbecome this world ideal.
Dialogue: 0,0:17:33.26,0:17:36.91,Default,Tomozaki,0000,0000,0000,,Changing to fit in better, making friends...
Dialogue: 0,0:17:37.19,0:17:41.41,Default,Tomozaki,0000,0000,0000,,She says she has to do these \Nthings to fit this ideal.
Dialogue: 0,0:17:41.68,0:17:44.05,Default,Mizusawa,0000,0000,0000,,A world ideal, eh?
Dialogue: 0,0:17:44.05,0:17:47.29,Default,Mizusawa,0000,0000,0000,,I mean, sure, if she says so.
Dialogue: 0,0:17:47.69,0:17:50.04,Default,Tomozaki,0000,0000,0000,,The way she puts it feels a little loaded.
Dialogue: 0,0:17:50.32,0:17:52.72,Default,Mizusawa,0000,0000,0000,,No, I think it's a good thing.
Dialogue: 0,0:17:52.72,0:17:54.92,Default,Mizusawa,0000,0000,0000,,She's determined to change herself
Dialogue: 0,0:17:54.92,0:17:57.58,Default,Mizusawa,0000,0000,0000,,and is actively working \Ntoward making that happen.
Dialogue: 0,0:17:57.58,0:18:00.93,Default,Mizusawa,0000,0000,0000,,And she's doing a great job! It's impressive.
Dialogue: 0,0:18:01.95,0:18:03.43,Default,Tomozaki,0000,0000,0000,,I suppose so.
Dialogue: 0,0:18:03.72,0:18:07.78,Default,Mizusawa,0000,0000,0000,,And so is her reason for \Nit: to fit this ideal.
Dialogue: 0,0:18:08.27,0:18:12.19,Default,Mizusawa,0000,0000,0000,,Pretty ironic that it's the \Nopposite of {\i1}you{\i0}, though.
Dialogue: 0,0:18:12.78,0:18:14.38,Default,Tomozaki,0000,0000,0000,,The opposite?
Dialogue: 0,0:18:14.38,0:18:18.20,Default,Tomozaki,0000,0000,0000,,If you mean the directions we're moving \Nin, I think they're actually the same.
Dialogue: 0,0:18:19.77,0:18:22.88,Default,Tomozaki,0000,0000,0000,,Making an effort to change so \Nwe fit in with everyone else.
Dialogue: 0,0:18:23.39,0:18:25.20,Default,Tomozaki,0000,0000,0000,,That's what Tama and I did.
Dialogue: 0,0:18:26.09,0:18:29.46,Default,Mizusawa,0000,0000,0000,,Ah, okay! So that's what \Nit looks like to you.
Dialogue: 0,0:18:29.71,0:18:31.21,Default,Tomozaki,0000,0000,0000,,Wh-What?
Dialogue: 0,0:18:31.46,0:18:37.22,Default,Mizusawa,0000,0000,0000,,Look, Kikuchi's talking about \Nthe {\i1}world's{\i0} ideals, right?
Dialogue: 0,0:18:40.67,0:18:45.10,Default,Mizusawa,0000,0000,0000,,Your ideal is from your own \Nperspective: "I'd like to do {\i1}this{\i0}."
Dialogue: 0,0:18:45.40,0:18:50.35,Default,Mizusawa,0000,0000,0000,,While Kikuchi's takes a bird's-eye \Nview: "The world needs me like {\i1}this{\i0}."
Dialogue: 0,0:18:50.64,0:18:52.14,Default,Mizusawa,0000,0000,0000,,Totally opposite, right?
Dialogue: 0,0:18:54.01,0:18:59.53,Italics,Tomozaki,0000,0000,0000,,I changed myself so I could enjoy \Nmy playthrough of this game of life.
Dialogue: 0,0:19:00.16,0:19:04.54,Italics,Tomozaki,0000,0000,0000,,Tama changed herself so she \Nwouldn't be making Mimimi sad.
Dialogue: 0,0:19:08.71,0:19:12.17,Italics,Tomozaki,0000,0000,0000,,We both did it so we could \Nbe our ideal selves.
Dialogue: 0,0:19:12.98,0:19:15.17,Italics,Tomozaki,0000,0000,0000,,Then why is Kikuchi doing it?
Dialogue: 0,0:19:17.21,0:19:18.78,Default,Tomozaki,0000,0000,0000,,Is {\i1}that{\i0} how it is?
Dialogue: 0,0:19:19.55,0:19:22.31,Italics,Tomozaki,0000,0000,0000,,Drawing nearer to the world's ideals
Dialogue: 0,0:19:22.31,0:19:28.31,Italics,Tomozaki,0000,0000,0000,,is an objective, player-oriented \Nway of thinking, like Hinami's.
Dialogue: 0,0:19:32.78,0:19:34.06,Default,Fuka,0000,0000,0000,,Yes, that's right.
Dialogue: 0,0:19:34.06,0:19:40.07,Default,Fuka,0000,0000,0000,,I do feel like I see things from \Nwhat you call a "player" perspective.
Dialogue: 0,0:19:42.07,0:19:45.60,Default,Fuka,0000,0000,0000,,But this has me thinking...
Dialogue: 0,0:19:45.60,0:19:49.33,Default,Fuka,0000,0000,0000,,It might actually be an author's perspective.
Dialogue: 0,0:19:49.33,0:19:53.58,Default,Tomozaki,0000,0000,0000,,An author's... like scripts and novels?
Dialogue: 0,0:19:53.58,0:19:56.87,Default,Fuka,0000,0000,0000,,Well, yes, those too, but more than that.
Dialogue: 0,0:19:56.87,0:19:59.59,Default,Fuka,0000,0000,0000,,An author of this story we call the world.
Dialogue: 0,0:19:59.98,0:20:02.84,Default,Tomozaki,0000,0000,0000,,The world's author?
Dialogue: 0,0:20:03.09,0:20:06.80,Default,Fuka,0000,0000,0000,,For a long time now, I haven't \Nthought about what I'd like to do
Dialogue: 0,0:20:06.80,0:20:11.45,Default,Fuka,0000,0000,0000,,so much as how to make this world \Nmore beautiful, how it should be,
Dialogue: 0,0:20:11.45,0:20:14.10,Default,Fuka,0000,0000,0000,,what an ideal form would look like.
Dialogue: 0,0:20:14.10,0:20:16.86,Default,Fuka,0000,0000,0000,,A very authoresque way \Nof thinking about things.
Dialogue: 0,0:20:17.61,0:20:20.49,Default,Fuka,0000,0000,0000,,So I'm okay with this.
Dialogue: 0,0:20:20.74,0:20:22.99,Default,Tomozaki,0000,0000,0000,,With a player perspective?
Dialogue: 0,0:20:23.53,0:20:26.94,Default,Fuka,0000,0000,0000,,Those are {\i1}your{\i0} words, Tomozaki.
Dialogue: 0,0:20:27.49,0:20:33.37,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly \NFourth Draft
Dialogue: 0,0:20:28.19,0:20:33.37,Default,Fuka,0000,0000,0000,,In the game world, the opposite of \N"character" may well be "player."
Dialogue: 0,0:20:33.81,0:20:39.88,Default,Fuka,0000,0000,0000,,But in the world of novels, I think the \Nopposite of "character" is "author."
Dialogue: 0,0:20:40.16,0:20:45.59,Default,Fuka,0000,0000,0000,,So I'll be all right holding \Nonto my author's perspective.
Dialogue: 0,0:20:48.64,0:20:53.23,Default,Fuka,0000,0000,0000,,I do want to take on that ideal form.
Dialogue: 0,0:20:53.23,0:20:55.52,Default,Fuka,0000,0000,0000,,Just like Hinami.
Dialogue: 0,0:20:55.83,0:20:57.40,Default,Tomozaki,0000,0000,0000,,Like Hinami, huh...?
Dialogue: 0,0:20:57.40,0:20:58.40,Default,Fuka,0000,0000,0000,,Yes.
Dialogue: 0,0:20:58.90,0:21:02.35,Default,Fuka,0000,0000,0000,,After all, she's a very \Nideal person, isn't she?
Dialogue: 0,0:21:03.15,0:21:04.65,OS,Caption,0000,0000,0000,,Tomozaki
Dialogue: 0,0:21:06.66,0:21:08.41,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly \NFourth Draft \NFuka Kikuchi
Dialogue: 0,0:21:09.17,0:21:11.79,Italics,Tomozaki,0000,0000,0000,,The whole premise was off.
Dialogue: 0,0:21:12.38,0:21:16.83,Italics,Tomozaki,0000,0000,0000,,I was playing the game of life as a player.
Dialogue: 0,0:21:17.12,0:21:22.01,Italics,Tomozaki,0000,0000,0000,,Kikuchi was writing the \Nstory of life as an author.
Dialogue: 0,0:21:22.52,0:21:26.54,Italics,Tomozaki,0000,0000,0000,,But really, she's aiming to be \Na perfect heroine like Hinami.
Dialogue: 0,0:21:27.48,0:21:31.10,Italics,Tomozaki,0000,0000,0000,,Is that the path Kikuchi should be taking?
Dialogue: 0,0:21:31.10,0:21:36.60,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly \NFourth Draft \NFuka Kikuchi
Dialogue: 0,0:21:31.69,0:21:35.69,Italics,Tomozaki,0000,0000,0000,,Still, it's not for me to say what \Nshould go on inside Kikuchi's head.
Dialogue: 0,0:21:36.99,0:21:39.10,Default,Tomozaki,0000,0000,0000,,Inside Kikuchi's head...
Dialogue: 0,0:21:43.78,0:21:44.61,Default,Tomozaki,0000,0000,0000,,A-ha.
Dialogue: 0,0:21:44.61,0:21:47.11,OS,Caption,0000,0000,0000,,The Popple on Raptor Isle \NMichael Andi \NTranslated by Emiko Murata \NRead Now
Dialogue: 0,0:21:44.95,0:21:45.78,Default,Tomozaki,0000,0000,0000,,There it is.
Dialogue: 0,0:21:59.63,0:22:02.13,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly \NFourth Draft
Dialogue: 0,0:22:03.13,0:22:05.01,Italics,Tomozaki,0000,0000,0000,,I read the whole thing...
Dialogue: 0,0:22:05.01,0:22:11.01,OS,Caption,0000,0000,0000,,My Unfamiliar Way to Fly \NFourth Draft \NFuka Kikuchi
Dialogue: 0,0:22:05.29,0:22:09.82,Default,Tomozaki,0000,0000,0000,,and found a clue that \Ncould give me an answer.